Paul Klee's Red Balloon (Roter Ballon), was completed in 1922. Produced in-house by the Guggenheim's photography studio, each archival pigment print is made with hand-cut paper.
Complete your purchase with a user-friendly 16" x 20" black wood frame by Nielsen Bainbridge, pictured above, as an add-on. Frame packaged separately.
- Ready to frame
- Paper measures 16" wide x 20" tall
- Image measures 11.875" wide x 13.25" tall
About the Artist:
Paul Klee was born on December 18, 1879, in Mnchenbuchsee, Switzerland, into a family of musicians. His childhood love of music was always to remain profoundly important in his life and work. From 1898 to 1901 Klee studied in Munich, first with Heinrich Knirr, then at the Kunstakademie under Franz von Stuck. Upon completing his schooling, he traveled to Italy. It was the first in a series of trips abroad that nourished his visual sensibilities. He settled in Bern in 1902. A series of his satirical etchings was exhibited at the Munich Secession in 1906. That same year Klee married Lily Stumpf, a pianist, and moved to Munich. There he gained exposure to Modern art. Klees work was shown at the Kunstmuseum Bern in 1910 and at Moderne Galerie, Munich, in 1911.
Klee met Alexej Jawlensky, Vasily Kandinsky, August Macke, Franz Marc, and other avant-garde figures in 1911; he participated in important shows of advanced art, including the second Blaue Reiter (Blue Rider) exhibition at Galerie Hans Goltz, Munich, in 1912, and the Erste deutsche Herbstsalon at the Der Sturm Gallery, Berlin, in 1913. In 1912 he visited Paris for the second time, where he saw the work of Georges Braque and Pablo Picasso, and met Robert Delaunay. Klee helped found the Neue Mnchner Secession in 1914. Color became central to his art only after a revelatory trip to Tunisia in 1914.
In 1920 a major Klee retrospective was held at the Galerie Hans Goltz, Munich; his Schpferische Konfession was published; he was also appointed to the faculty of the Bauhaus. Klee taught at the Bauhaus in Weimar from 1921 to 1926 and in Dessau from 1926 to 1931. During his tenure, he was in close contact with other Bauhaus masters such as Kandinsky and Lyonel Feininger. In 1924 the Blaue Vier (the Blue Four), consisting of Lyonel Feininger, Jawlensky, Kandinsky, and Klee, was founded. Among his notable exhibitions of this period were his first in the United States at the Socit Anonyme, New York, in 1924; his first major show in Paris the following year at the Galerie Vavin-Raspail; and an exhibition at the Museum of Modern Art, New York, in 1930. Klee went to Dsseldorf to teach at the Akademie in 1931, shortly before the Nazis closed the Bauhaus. Forced by the Nazis to leave his position in Dsseldorf in 1933, Klee settled in Bern the following year. Seventeen of his works were included in the Nazi exhibition of degenerate art, Entartete Kunst, in 1937. Major Klee exhibitions took place in Bern and Basel in 1935 and in Zurich in 1940. Klee died on June 29, 1940, in Muralto-Locarno, Switzerland.
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| Description | Paul Klee's Red Balloon (Roter Ballon), was completed in 1922. Produced in-house by the Guggenheim's photography studio, each archival pigment print is made with hand-cut paper. Complete your purchase with a user-friendly 16" x 20" black wood frame by Nielsen Bainbridge, pictured above, as an add-on. Frame packaged separately.
About the Artist: Paul Klee was born on December 18, 1879, in Mnchenbuchsee, Switzerland, into a family of musicians. His childhood love of music was always to remain profoundly important in his life and work. From 1898 to 1901 Klee studied in Munich, first with Heinrich Knirr, then at the Kunstakademie under Franz von Stuck. Upon completing his schooling, he traveled to Italy. It was the first in a series of trips abroad that nourished his visual sensibilities. He settled in Bern in 1902. A series of his satirical etchings was exhibited at the Munich Secession in 1906. That same year Klee married Lily Stumpf, a pianist, and moved to Munich. There he gained exposure to Modern art. Klees work was shown at the Kunstmuseum Bern in 1910 and at Moderne Galerie, Munich, in 1911. Klee met Alexej Jawlensky, Vasily Kandinsky, August Macke, Franz Marc, and other avant-garde figures in 1911; he participated in important shows of advanced art, including the second Blaue Reiter (Blue Rider) exhibition at Galerie Hans Goltz, Munich, in 1912, and the Erste deutsche Herbstsalon at the Der Sturm Gallery, Berlin, in 1913. In 1912 he visited Paris for the second time, where he saw the work of Georges Braque and Pablo Picasso, and met Robert Delaunay. Klee helped found the Neue Mnchner Secession in 1914. Color became central to his art only after a revelatory trip to Tunisia in 1914. In 1920 a major Klee retrospective was held at the Galerie Hans Goltz, Munich; his Schpferische Konfession was published; he was also appointed to the faculty of the Bauhaus. Klee taught at the Bauhaus in Weimar from 1921 to 1926 and in Dessau from 1926 to 1931. During his tenure, he was in close contact with other Bauhaus masters such as Kandinsky and Lyonel Feininger. In 1924 the Blaue Vier (the Blue Four), consisting of Lyonel Feininger, Jawlensky, Kandinsky, and Klee, was founded. Among his notable exhibitions of this period were his first in the United States at the Socit Anonyme, New York, in 1924; his first major show in Paris the following year at the Galerie Vavin-Raspail; and an exhibition at the Museum of Modern Art, New York, in 1930. Klee went to Dsseldorf to teach at the Akademie in 1931, shortly before the Nazis closed the Bauhaus. Forced by the Nazis to leave his position in Dsseldorf in 1933, Klee settled in Bern the following year. Seventeen of his works were included in the Nazi exhibition of degenerate art, Entartete Kunst, in 1937. Major Klee exhibitions took place in Bern and Basel in 1935 and in Zurich in 1940. Klee died on June 29, 1940, in Muralto-Locarno, Switzerland. |
| Artist | Vasily Kandinsky |
