Pablo Picasso: The Fourteenth of July 16" x 20" Print

SKU
404005278066
$55.00
Member Price: $49.50
Out of stock

The Fourteenth of July is an ideal counterpart to Le Moulin de la Galette; illustrating the extremes of style, mood, and traditions that manifested Picasso’s imagination during his early years. His use of color explodes as freely as the firecrackers set off by the festive crowd shown, scattered all over the canvas. The composition, however, is far from being cheerfully scattered. Rather, it is masterfully disciplined. The figures located at the lower left of the painting are counterbalanced by the crowd on the right, in addition to the stepped rooflines in back. The counterpoint of the two groups is emphasized by making nearly all the figures to the right blend into a blur of colors, while the figures on the left are treated with much more individuality. Through these elements, Picasso may depict a national celebration, but there is still a slight, lingering tone of melancholy amid the excitement and happiness.

The Fourteenth of July is an ideal counterpart to Le Moulin de la Galette; illustrating the extremes of style, mood, and traditions that manifested Picasso’s imagination during his early years. His use of color explodes as freely as the firecrackers set off by the festive crowd shown, scattered all over the canvas. The composition, however, is far from being cheerfully scattered. Rather, it is masterfully disciplined. The figures located at the lower left of the painting are counterbalanced by the crowd on the right, in addition to the stepped rooflines in back. The counterpoint of the two groups is emphasized by making nearly all the figures to the right blend into a blur of colors, while the figures on the left are treated with much more individuality. Through these elements, Picasso may depict a national celebration, but there is still a slight, lingering tone of melancholy amid the excitement and happiness.

  • Ready to frame
  • Paper measures 20" wide x 16" tall
  • Image measures 18" wide x 13.78" tall

About the Artist:


Pablo Picasso was born on October 25, 1881, in Mlaga, Spain. The son of an academic painter, Jos Ruiz Blasco, he began to draw at an early age. In 1895 the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the caf Els Quatre Gats in about 1899 were crucial to his early artistic development. Picassos first exhibition took place in Barcelona in 1900, and that fall he went to Paris for the first of several stays during the early years of the century. Picasso settled in Paris in April 1904, and his circle of friends soon included Guillaume Apollinaire, Max Jacob, Gertrude and Leo Stein, as well as two dealers, Ambroise Vollard and Berthe Weill.


His style developed from the Blue Period (190104) to the Rose Period (1905) to the pivotal work Les Demoiselles dAvignon (1907), and the subsequent evolution of Cubism from an Analytic phase (ca. 190811) to its Synthetic phase (beginning in 191213). Picassos collaboration on ballet and theatrical productions began in 1916. Soon thereafter, his work was characterized by neoclassicism and a renewed interest in drawing and figural representation. In the 1920s the artist and his wife, Olga (whom he had married in 1918), continued to live in Paris, to travel frequently, and to spend their summers at the beach. From 1925 to the 1930s Picasso was involved to a certain degree with the Surrealists, and from the fall of 1931 he was especially interested in making sculpture. In 1932, with large exhibitions at the Galeries Georges Petit, Paris, and the Kunsthaus Zrich, and the publication of the first volume of Christian Zervoss catalogue raisonn, Picassos fame increased markedly.


By 1936 the Spanish Civil War had profoundly affected Picasso, the expression of which culminated in his painting Guernica (1937, Museo Nacional Centro de Arte Reina Sofa, Madrid). Picassos association with the Communist Party began in 1944. From the late 1940s he lived in the south of France. Among the enormous number of exhibitions that were held during the artists lifetime, those at the Museum of Modern Art, New York, in 1939 and the Muse des Arts Dcoratifs, Paris, in 1955 were most significant. In 1961 the artist married Jacqueline Roque, and they moved to Mougins. There Picasso continued his prolific work in painting, drawing, prints, ceramics, and sculpture until his death on April 8, 1973.

 



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Description

The Fourteenth of July is an ideal counterpart to Le Moulin de la Galette; illustrating the extremes of style, mood, and traditions that manifested Picasso’s imagination during his early years. His use of color explodes as freely as the firecrackers set off by the festive crowd shown, scattered all over the canvas. The composition, however, is far from being cheerfully scattered. Rather, it is masterfully disciplined. The figures located at the lower left of the painting are counterbalanced by the crowd on the right, in addition to the stepped rooflines in back. The counterpoint of the two groups is emphasized by making nearly all the figures to the right blend into a blur of colors, while the figures on the left are treated with much more individuality. Through these elements, Picasso may depict a national celebration, but there is still a slight, lingering tone of melancholy amid the excitement and happiness.

  • Ready to frame
  • Paper measures 20" wide x 16" tall
  • Image measures 18" wide x 13.78" tall

About the Artist:


Pablo Picasso was born on October 25, 1881, in Mlaga, Spain. The son of an academic painter, Jos Ruiz Blasco, he began to draw at an early age. In 1895 the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the caf Els Quatre Gats in about 1899 were crucial to his early artistic development. Picassos first exhibition took place in Barcelona in 1900, and that fall he went to Paris for the first of several stays during the early years of the century. Picasso settled in Paris in April 1904, and his circle of friends soon included Guillaume Apollinaire, Max Jacob, Gertrude and Leo Stein, as well as two dealers, Ambroise Vollard and Berthe Weill.


His style developed from the Blue Period (190104) to the Rose Period (1905) to the pivotal work Les Demoiselles dAvignon (1907), and the subsequent evolution of Cubism from an Analytic phase (ca. 190811) to its Synthetic phase (beginning in 191213). Picassos collaboration on ballet and theatrical productions began in 1916. Soon thereafter, his work was characterized by neoclassicism and a renewed interest in drawing and figural representation. In the 1920s the artist and his wife, Olga (whom he had married in 1918), continued to live in Paris, to travel frequently, and to spend their summers at the beach. From 1925 to the 1930s Picasso was involved to a certain degree with the Surrealists, and from the fall of 1931 he was especially interested in making sculpture. In 1932, with large exhibitions at the Galeries Georges Petit, Paris, and the Kunsthaus Zrich, and the publication of the first volume of Christian Zervoss catalogue raisonn, Picassos fame increased markedly.


By 1936 the Spanish Civil War had profoundly affected Picasso, the expression of which culminated in his painting Guernica (1937, Museo Nacional Centro de Arte Reina Sofa, Madrid). Picassos association with the Communist Party began in 1944. From the late 1940s he lived in the south of France. Among the enormous number of exhibitions that were held during the artists lifetime, those at the Museum of Modern Art, New York, in 1939 and the Muse des Arts Dcoratifs, Paris, in 1955 were most significant. In 1961 the artist married Jacqueline Roque, and they moved to Mougins. There Picasso continued his prolific work in painting, drawing, prints, ceramics, and sculpture until his death on April 8, 1973.

 



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