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Kazimir Malevich, Untitled, December, 1916, 16" x 20"

SKU: 18610

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$45.00
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Details

Details

Kazimir Malevich's Untitled was completed in 1916. Produced in-house by the Guggenheim's photography studio, each archival pigment print is made with hand-cut paper.

Materials / Sizes

  • Ready to frame
  • Paper measures 20" wide x 16" tall
  • Image measures 12" wide x 12.5" tall

Artist

Kazimir Malevich

Kazimir Severinovich Malevich was born on February 26, 1878, near Kiev. He studied at the Moscow Institute of Painting, Sculpture, and Architecture in 1903. During the early years of his career, he experimented with various Modernist styles and participated in avant-garde exhibitions, such as those of the Moscow Artists’ Association, which included Vasily Kandinsky and Mikhail Larionov, and the Jack of Diamonds exhibition of 1910 in Moscow. Malevich showed his Primitivist paintings of peasants at the exhibition Donkey’s Tail in 1912. After this exhibition he broke with Larionov’s group. In 1913, with composer Mikhail Matyushin and writer Alexei Kruchenykh, Malevich drafted a manifesto for the First Futurist Congress. That same year he designed the sets and costumes for the opera Victory over the Sun by Matyushin and Kruchenykh. Malevich showed at the Salon des Indépendants in Paris in 1914. At the 0.10: The Last Futurist Exhibition in Petrograd in 1915, Malevich introduced his nonobjective, geometric Suprematist paintings. Following the Russian Revolution in 1917, Malevich and other advanced artists were encouraged by the Soviet government and attained prominent administrative and teaching positions. In 1919 he began to explore the three-dimensional applications of Suprematism in architectural models. Malevich began teaching at the Vitebsk Popular Art School in 1919; he soon became its director. In 1919–20, he was given a solo show at the Sixteenth State Exhibition in Moscow, which focused on Suprematism and other nonobjective styles. Malevich and his students at Vitebsk formed the Suprematist group Unovis. From 1922 to 1927 he taught at the Institute of Artistic Culture in Petrograd, and between 1924 and 1926 he worked primarily on architectural models with his students. In 1927 Malevich traveled with an exhibition of his paintings to Warsaw and also went to Berlin, where his work was shown at the Grosse Berliner Kunstausstellung. In Germany he met Jean Arp, Naum Gabo, Le Corbusier, and Kurt Schwitters and visited the Bauhaus, where he met Walter Gropius. The Tretiakov Gallery in Moscow gave Malevich a solo exhibition in 1929. Because of his connections with German artists, he was arrested in 1930 and many of his manuscripts were destroyed. In his final period, he painted in a representational style. Malevich died on May 15, 1935, in Leningrad. Kandinsky began teaching at the Bauhaus in Weimar in 1922. In 1923 he was given his first solo show in New York by the Société Anonyme, of which he became vice-president. Lyonel Feininger, Alexej Jawlensky, Kandinsky, and Paul Klee made up the Blaue Vier (Blue Four) group, formed in 1924. He moved with the Bauhaus to Dessau in 1925 and became a German citizen in 1928. The Nazi government closed the Bauhaus in 1933 and later that year Kandinsky settled in Neuilly-sur-Seine, near Paris; he acquired French citizenship in 1939. Fifty-seven of his works were confiscated by the Nazis in the 1937 purge of “degenerate art.” Kandinsky died on December 13, 1944, in Neuilly.

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