Joan Miro: Prades, the Village 16 x 20 in. Print

SKU
404004211514
$55.00
Member Price: $49.50
Out of stock

Joan Miro's Prades, the Village (Prades, el poble) was completed in 1942. Each archival pigment print is made with hand-cut paper.

We are now offering a user-friendly 16 x 20 in. black wood frame by Nielsen Bainbridge, pictured above, as an add-on purchase. Frame packaged separately.

  • Ready to frame
  • Paper measures 16 x 20 in.
  • Image measures 12 x 12 in.

About the Artist:

Joan Mir Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonjas Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Gals Escola dArt in Barcelona from 1912 to 1915. Mir received early encouragement from the dealer Jos Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917 he met Francis Picabia.

In 1920 Mir made his first trip to Paris, where he met Pablo Picasso. From this time, Mir divided his time between Paris and Montroig, Spain. In Paris he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Mirs first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon dAutomne of 1923. In 1924 Mir joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Mir was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. That year he also executed his first papiers colls (pasted papers) and collages. In 1929 he started his experiments in lithography, and his first etchings date from 1933. During the early 1930s he made Surrealist sculptures incorporating painted stones and found objects. In 1936 Mir left Spain because of the civil war; he returned in 1941. Also in 1936 Mir was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year he was commissioned to create a monumental work for the Paris Worlds Fair.

Mirs first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. In 1944 Mir began working in ceramics with Josep Llorns y Artigas and started to concentrate on prints; from 1954 to 1958 he worked almost exclusively in these two mediums. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958 Mir was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year he resumed painting, initiating a series of mural-sized canvases. During the 1960s he began to work intensively in sculpture. Mir retrospectives took place at the Muse National dArt Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. In 1978 the Muse National dArt Moderne exhibited over five hundred works in a major retrospective of his drawings. Mir died on December 25, 1983, in Palma de Mallorca, Spain.



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Description

Joan Miro's Prades, the Village (Prades, el poble) was completed in 1942. Each archival pigment print is made with hand-cut paper.

We are now offering a user-friendly 16 x 20 in. black wood frame by Nielsen Bainbridge, pictured above, as an add-on purchase. Frame packaged separately.

  • Ready to frame
  • Paper measures 16 x 20 in.
  • Image measures 12 x 12 in.

About the Artist:

Joan Mir Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonjas Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Gals Escola dArt in Barcelona from 1912 to 1915. Mir received early encouragement from the dealer Jos Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917 he met Francis Picabia.

In 1920 Mir made his first trip to Paris, where he met Pablo Picasso. From this time, Mir divided his time between Paris and Montroig, Spain. In Paris he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Mirs first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon dAutomne of 1923. In 1924 Mir joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Mir was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. That year he also executed his first papiers colls (pasted papers) and collages. In 1929 he started his experiments in lithography, and his first etchings date from 1933. During the early 1930s he made Surrealist sculptures incorporating painted stones and found objects. In 1936 Mir left Spain because of the civil war; he returned in 1941. Also in 1936 Mir was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year he was commissioned to create a monumental work for the Paris Worlds Fair.

Mirs first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. In 1944 Mir began working in ceramics with Josep Llorns y Artigas and started to concentrate on prints; from 1954 to 1958 he worked almost exclusively in these two mediums. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958 Mir was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year he resumed painting, initiating a series of mural-sized canvases. During the 1960s he began to work intensively in sculpture. Mir retrospectives took place at the Muse National dArt Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. In 1978 the Muse National dArt Moderne exhibited over five hundred works in a major retrospective of his drawings. Mir died on December 25, 1983, in Palma de Mallorca, Spain.



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