Joan Miro: Prades, the Village 16'' x 20'' Print
Joan Miro's Prades, the Village (Prades, el poble) was completed in 1942. Each archival pigment print is made with hand-cut paper.
We are now offering a user-friendly 16" x 20" black wood frame by Nielsen Bainbridge, pictured above, as an add-on purchase. Frame packaged separately.
- Ready to frame
- Paper measures 16" wide x 20" tall
- Image measures 12" wide x 12" tall
About the Artist:
Joan MirÃ³ Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonjaâ€™s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc GalÃâ€™s Escola dâ€™Art in Barcelona from 1912 to 1915. MirÃ³ received early encouragement from the dealer JosÃ© Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917 he met Francis Picabia.
In 1920 MirÃ³ made his first trip to Paris, where he met Pablo Picasso. From this time, MirÃ³ divided his time between Paris and Montroig, Spain. In Paris he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized MirÃ³â€™s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon dâ€™Automne of 1923. In 1924 MirÃ³ joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; MirÃ³ was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. That year he also executed his first papiers collÃ©s (pasted papers) and collages. In 1929 he started his experiments in lithography, and his first etchings date from 1933. During the early 1930s he made Surrealist sculptures incorporating painted stones and found objects. In 1936 MirÃ³ left Spain because of the civil war; he returned in 1941. Also in 1936 MirÃ³ was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year he was commissioned to create a monumental work for the Paris Worldâ€™s Fair.
MirÃ³â€™s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. In 1944 MirÃ³ began working in ceramics with Josep LlorÃ©ns y Artigas and started to concentrate on prints; from 1954 to 1958 he worked almost exclusively in these two mediums. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958 MirÃ³ was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year he resumed painting, initiating a series of mural-sized canvases. During the 1960s he began to work intensively in sculpture. MirÃ³ retrospectives took place at the MusÃ©e National dâ€™Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. In 1978 the MusÃ©e National dâ€™Art Moderne exhibited over five hundred works in a major retrospective of his drawings. MirÃ³ died on December 25, 1983, in Palma de Mallorca, Spain.